wild young heart

My front facing camera sucks :(

Hazzy

Love this movie

w-onderfuls:

from a porno

Try to learn to breathe deeply, really to taste food when you eat, and when you sleep, really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.

“

—	Ernest Hemingway (via feelgood-andhealthy) I want this tattooed on my face (via thequeenof-limbs)

rollingstone:

When Pharrell, visiting Paris, first sang his verse for “Get Lucky,” Daft Punk told him to “sing it again, again, again,” Pharrell recalls. “Then I did four or five more takes, they picked what they liked, then I sang each of those parts over and over. The robots are perfectionists.” Daft Punk hired choirs, string sections, trumpeters and pedal-steel players; they recorded sound effects on the foley stage at Warner Bros. They played parts themselves, then paid session pros who’d worked on Thriller and Off the Wall to play them better. They coaxed vocals from guests like Panda Bear and Julian Casablancas; Chic mastermind Nile Rodgers played guitar on three tracks. They flew to legendary recording studios in New York and Los Angeles, like Electric Lady and Henson, to capture the unique sounds and vibes of the classic rooms. Wherever they went, they kept the mics running, capturing freewheeling jams – “We had Ampex reels everywhere,” says Guy de Homem-Christo – that they edited later using Pro Tools, conjuring songs out of the footage “like we were making a film,” Thomas Bangalter says. “There are songs that span two and a half years and five different studios.”

Click above to read our new cover story, a revealing interview with the secretive duo Daft Punk and how they’re reinventing dance music, again.